On
January 19, 1853, the opera Il trovatore,
by Giuseppe Verdi (1813-1901), had its premiere performance at the Teatro Apollo in Rome. Il trovatore (The Troubadour) is an opera in four acts and is based on an
libretto largely written by Salvadore Cammarano (1801-1852). It is based on the play El Trovador (1836) by Antonio García
Gutiérrez (1813-1884). It was Gutiérrez's most successful play, one which Verdi scholar
Julian Budden describes as "a high flown, sprawling melodrama flamboyantly
defiant of the Aristotilian unities, packed with all manner of fantastic and
bizarre incident.”
At
the opera’s premiere, it "began a victorious march throughout the operatic
world” a success due to Verdi's work over the previous three years. It began
with his January 1850 approach to Cammarano with the idea of Il trovatore. There followed, slowly and
with interruptions, the preparation of the libretto, first by Cammarano until
his death in mid-1852 and then with the young librettist Leone Emanuele
Bardare, which gave the composer the opportunity to propose significant
revisions, which were accomplished under his direction. These revisions are
seen largely in the expansion of the role of Leonora.
For Verdi, the three years were filled with operatic activity because work on this opera did not proceed while the composer wrote and premiered Rigoletto in Venice in March 1851 and also while his personal affairs limited his activities. Then, in May 1851, an additional commission was offered by the Venice company after Rigoletto's success there. Then another came from Paris while he was visiting that city from late 1851 and into March 1852. Therefore, even before the libretto for Il trovatore was ever completed, before the music was written, and before the opera premiered, Verdi had a total of four different operatic projects underway and in various stages of development.
Today, in its Italian version, Trovatore is given very frequently and is a staple of the standard operatic repertoire.
-For Verdi, the three years were filled with operatic activity because work on this opera did not proceed while the composer wrote and premiered Rigoletto in Venice in March 1851 and also while his personal affairs limited his activities. Then, in May 1851, an additional commission was offered by the Venice company after Rigoletto's success there. Then another came from Paris while he was visiting that city from late 1851 and into March 1852. Therefore, even before the libretto for Il trovatore was ever completed, before the music was written, and before the opera premiered, Verdi had a total of four different operatic projects underway and in various stages of development.
Today, in its Italian version, Trovatore is given very frequently and is a staple of the standard operatic repertoire.
No comments:
Post a Comment